Previously Worn Roles — a sentimental archive of vintage clothing

A highly sentimental archive of things we’ve loved. ✶

PWR
Recasting Department
Story, Casting, Cinematography, Production.

Est. 2024
For the next chapter.

Previously Worn Roles

Some roles end.
Some just get recast.

Meg & Mal, mural dresses
Same team. Always.
Easter, as kids
Evidence since day one.

Hi, we’re Meg & Mal.

Two sisters, a lot of color, and closets full of pieces we bought for the look and kept for(ever) the memory.

Previously Worn Roles is our way of letting go, gently.

Every piece here has played a part.

Now it’s ready for its next role… maybe in your story?

Pull up a seat.
Join the Callback List.

And if you’ve got a character or two hanging in your own closet, send them our way.

The cast is always growing.

♡ Meg + Mal

Scene 1 · Our Story

A Clothing Store in Moline

and a closet that came west

Our grandpa’s family owned The LaRose Shoppe in downtown Moline, Illinois. Upscale clothing. Prom dresses picked out on pedestals in front of three-way mirrors. Purses monogrammed in gold.

But to our family it was so much more than that. Our mother and our two aunts grew up in it. Our dad even worked there — for a VERY short time, right after our parents got married. Stories for another day…

Though the family moved to San Diego in 1977, we still grew up surrounded by the store. Not just the stories, but the clothes. Endless driving gloves, embroidered dress and jacket sets in unreal colors, intricate stitching, fringe and velvet, lace, leather and so many scarves. Many of these things still have the original tags. Keeping special things runs in the family.

Moline, Illinois · circa 1960s
TheLaRose ShoppeMoline, Ill.

Good clothes create good stories.

Portrait of Verdelle
Verdelle ♡

Verdelle

Our original style icon

Our grandmother Verdelle passed this love, this appreciation for style and clothes, on to her three daughters, each with her own amazing style. They are the reason we look at garments and see people. Not just a piece of clothing — a character, a story, a possibility.

Style isn’t about newness. It’s about recognition — a sense that something belongs to a person, a place, a moment in time.— Verdelle

Then There Were Two Sisters

Meg + Mal

We grew up around clothes. We grew up around stories. And apparently, we grew up documenting the evidence.

There are a LOT of photographs.

Some of the outfits came from LaRose Shop. Some came from everywhere else. Some we wore once, wore constantly, or probably should have kept. And some of them… we have absolutely no explanation for.

Meg & Mal, grade 2
Early evidence. 1980s. No notes.
Twinsies at the piano
Twinsies at the piano.
Birthday party hats
Still figuring it out.
Pink mirrored sunglasses
Wardrobe department.
Meg & Mal in San Francisco
Double trouble.
Black & white, party hats
Different roles. Same cast.
Balcony, slip dresses
Good clothes. Strange locations.
Party hats and heart sunglasses, as kids
Party of two.

Selected Filmography

A Life, in Genres

  1. The Little Girl Years

    Two sisters. Questionable bangs. Strong wardrobe opinions developing.

  2. The La Rose Years

    A family history of clothes, now making its way into the next generation.

  3. The Teenage Years

    The outfits got better. The photographic evidence got worse.

  4. The Travel Years

    Good clothes. Strange locations. No explanation.

  5. The ‘Real Job Now’ Years

    Structured blazers. Sensible heels that were never once sensible.

  6. Present Day — The Archive

    Stopped keeping everything. Started releasing it, with the story attached.

Why PWR

At some point, we realized we weren’t interested in selling clothes just because they were old. We were interested in the ones that still had something to say. The great pair of jeans. The jacket with the perfect shape. The dress that somehow survived. The piece that makes you think: Oh. I know exactly who this is for. That’s what we’re doing here. Finding good things. Finding their stories. And giving them another part to play.

Because the best things don’t necessarily need to be kept. Sometimes they just need to be passed along, or recast.

Who Walks In Here

This is for the keepers. For people who kept the concert tee, the moto jacket, the slip dress — not because they’ll wear them again, but because throwing them out feels like firing a character mid-season. You don’t keep vintage for the fabric. You keep it for the second act.

Every piece here had a life before this.
So did we.

Meg & Mal